Robert Fernandez

THE COLOR OF POMEGRANATES, 1969 DIR. SERGEI PARAJANOV

Try to remember it hurts. What? Being a daughter like a steaming red pile of spaghetti. I get spilled everywhere; I get eaten. It’s not fair. I lose the thread. They replace my organs with organ-shaped crystals. Crystal liver, stomach, art. To be a poet is to get eaten by a demon then spit out, all heart. My red hair drags along the wall. My steaming heart, pressed, gives wine. I’m hard pressed to give mine. To give bits of flesh from the mine. Shells from the sea. To be a poet is to be a memory, like the dusk. Is to whine, tortured by a piece of coral. Things were rougher than I thought they’d be. I’m red as a word, raw as a son. Red as a sun burning in the house of a demon. On the wall of a millionaire. It’s not my place to place them. I mine space, working behind a blind spot in thought. Then the gestalt shifts, revealing a mansion.


ROBERT FERNANDEZ is a poet, translator, and multimedia artist. Recent poems appear in The Columbia Review, The Nation, NECK, and Oversound.


Issue Eleven
$15.00

ISSUE ELEVEN features poetry by José A. Alcántara, Hadara Bar-Nadav, Monica Berlin, Joel Brouwer, Julia Cohen, Timothy Donnelly, Sean Thomas Dougherty, Robert Fernandez, Nick Flynn, Wendy Guerra, Chelsea Harlan, Brian Henry, Harmony Holiday, David Kirby, Ginger Ko, Virginia Konchan, Joseph O. Legaspi, Shane McCrae, Daniel Poppick, Danniel Schoonebeek, Matthew Tuckner, Genya Turovskaya, and Corey Van Landingham; fiction by Josh Bell, Ed Park, and Tom Quach; nonfiction by Albert Abonado, Mary Quade, Sarah Anne Strickley, and Jennifer Tseng; a film essay by J. M. Tyree; and Harmony Holiday in conversation with Sandra Simonds.