Jacob Montgomery
ASTRONOMY
Cross city, must arrive by bus
by nine for dinner
I am calling everything dinner
My job is dinner
Dinner starts at nine
Mother made us group dinner
I sat in my chair, my dinner
touched fork to spoon
Now I dine remote
I imagine dinner, often spaghetti
with commercials A nice thrum
helps to feel less dinner
and after dinner I wait
for more, and during
my desk, I discuss dinner
with my coworkers
We work in dinner
—the industry is stable—
at our dinners, typing
memos for the bulletin
Some have a spouse or a dinner
waiting on a bed
of red dinner, candles dim
is what I imagine
I am often alone, but not
in my thoughts nor
in the joys of social
nor fulfilled, no, and if a thought
does come, it is a shadow of
a black and white dinner
with numbers, 1, 3, 8, 10
a shadow of family dinners
the way some people
dinner a smooth glass apartment, a ceiba tree
or millions of cardboard
boxes, stacked in rows
Dinner, they might say, is
a shadow of sex Dinner desires
not me, not even close
I spend my waking life at dinner
and rarely do I think of
anything but that which I can taste
and the dinner that will set me up
for the next dinner, a goal
of concrete I look at the sky
and see the many dinners
and their fires, dinnering down at me
I fear a day
without carpet or window or desk
Dinner without dinner
What would I say to dinner then
How would I survive
JACOB MONTGOMERY currently lives in Cobleskill, New York. He is a graduate of the Iowa Writers’ Workshop.
ISSUE EIGHT features poetry by Brent Armendinger, Amanda Auerbach, Jenny Browne, Oni Buchanan, jayy dodd, Robert Fernandez, Jennifer Hasegawa, Valerie Hsiung, Troy Jollimore, David Kirby, David Lehman, Erika Meitner, Miguel Murphy, Daniel Nester, Kathleen Ossip, Emily Pettit, Sean Singer, Ed Skoog, and Elizabeth Willis; fiction by Lucy Corin, David Crouse, Cynthia Cruz, Nicholas Delbanco, Marcos Giralt Torrente, and Stuart Nadler; nonfiction by Elisa Albert, Kelle Groom, Kirsten Kaschock, Nadia Owusu, and Enrique Vila-Matas; film essays by Justin Phillip Reed; and an interview with Elizabeth Willis.
