John Kinsella

GLASSTOWN PEACE ACCORD

I had toy soldiers, and toy
tanks, planes, battleships.
Strategy game terrain.

Hedgerows. Sand drifts.
Camouflage. Correlations
to battles fought & lost

were real enough outcomes
changeable. Local factors.
Temporal dynamics.

But the wars stopped
as I got more aggressive.
And then the war

in myself stopped.
I hear a gunshot
and it breaks down

the code of my works
& days. I spend a lot
of time systematically

walking the block
studying scats
without touching

them. Just to know
what has been,
what might be.

Sometimes I see
bloody feathers,
bones. I am less

of a wanderer
than I was, watching
over home.


JOHN KINSELLA is a Fellow of Churchill College at Cambridge University and Emeritus Professor of Literature and Environment at Curtin University in Western Australia. His most recent volumes of poetry include Drowning in Wheat: Selected Poems 1980-2015 (Picador, 2016) and Insomnia (W.W. Norton, 2020). His new memoir is Displaced: a rural life (Transit Lounge, 2020) and in 2021 Manchester University Press published the final volume of his poetics trilogy, Beyond Ambiguity: Tracing Sites of Literary Activism.


Issue Ten
$15.00

ISSUE TEN features poetry by David Baker, Leila Chatti, Adam Clay, Cynthia Cruz, Lightsey Darst, Melissa Ginsburg, Johannes Göransson, John Kinsella, Joanna Klink, Mark Levine, Cate Marvin, Sara Lupita Olivares, January Gill O’Neil, Robert Ostrom, Allan Peterson, Kevin Prufer, Dean Rader, Natasha Rao, Elizabeth Robinson, Martha Silano, Stella Wong, and Julia Wong Kcomt; fiction by Amber Caron, Sarah Rose Etter, and Lee Upton; nonfiction by Lesley Jenike and Arra Lynn Ross; a film essay by Mee Ok Icaro; Mary Ruefle in conversation with Mark Wunderlich; and a selection of erasures and collages by Mary Ruefle.