Kathleen Heil
WELCOME TO THE SITUATION [SCHILLERKIEZ, BERLIN]
My neighbor came stalking after
me, a sense the building was his
was the only thing he had. Raus!
roiled the stickers on his door
I knew better then to say leave
me alone, called the Polizei
they said back off, he did
they said, in Berlin you have
to be firm, I said, tell that
to the woman who’s never
had a stranger strangle her
just for asserting her right
to exist, wrong, I asserted
nothing, tried to hide, lo
worse, yeah um violence
at my side. Hey big boys
twice my size, ya heard?
A body never forgets!
It sweats and shakes and taunts
me with the question, which—
as if it’s my job
to explain, to fix. Some trick,
that painted pony, refined
by her plucky ability
to ride high or descend,
so long as she behaves:
good carousel, stay
in place. The agents were watching. It was the gig
we got. Be grateful, they said.
Like I won’t.
KATHLEEN HEIL is the author of You Can Have it All (Moist Books, 2024) and the translator of The Loveliest Vowel Empties, Meret Oppenheim’s collected poems (World Poetry Books, 2023). Her work appears in The Common, The New Yorker, and The Stinging Fly.
ISSUE THIRTEEN features poetry by Luci Arbus-Scandiffio, Rick Barot, Stephanie Burt, Lauren Camp, Laura Cronk, William Virgil Davis, Chelsea Dingman, Erica Ehrenberg, Robert Fernandez, Gabriel Fried, Tracy Fuad, David Gorin, Jennifer Hasegawa, Stefania Heim, Jose Hernandez Diaz, Ish Klein, Wayne Koestenbaum, Christopher Kondrich, Keetje Kuipers, Anna Leahy, Alessandra Lynch, Alicia Mountain, Allan Peterson, Iain Haley Pollock, Adrienne Raphel, Emily Rosko, Lauren Shapiro, Adrienne Su, Cole Swensen, Tom Thompson, Anne Waldman, G.C. Waldrep, and Stella Wong; fiction by Rachel Lyon and Benjamin Niespodziany; nonfiction by Angela Ball and Joanna Luloff; a film essay by Gustavo Pérez Firmat; and Anne Waldman in conversation with Sandra Simonds.
