Rodrigo Toscano

WRITE THE CITY

What’s the point of New York City
Or, for that matter, Calgary
Or any city on a hill
Or hidden far beneath the waves 
Any city at any time
Any city planned or dreamt of

What’s the point of males and females
What’s the rub with transportation
Movement of foodstuffs or the arts
Distribution of new pleasures
Or the same old ones, year by year
Making for a steady story

What’s the point of stock characters
Emotions bundled or spread out
Arguments over arguments
Escapes from argumentation
Fantastical propositions
Promises to extend a hand

What’s the point of scheduling things
All in tandem or at random
Through avenues, streets, and alleys
Secrets secreted forever
Or spilled onto morning pavement
Draining into holes seaward bound

What’s the point of that lingerie
That tie’s length & width, and color
Fraying from overuse or disuse
Weighing X amount per square ton
Legs, rubber, arms, cotton, eyes, steel
What point in writing the city


RODRIGO TOSCANO is a poet and dialogist based in New Orleans. He is the author of eleven books of poetry. His latest two are The Cut Point (Counterpath, 2023) and The Charm & The Dread (Fence Books, 2022). His Collapsible Poetics Theater was a National Poetry Series selection. His poetry has appeared in Best American Poetry and Best American Experimental Poetry (BAX). In 2019, he won the Edwin Markham prize for poetry from Reed Magazine.


Issue Twelve
$15.00

ISSUE TWELVE features poetry by Samuel Amadon, Rennie Ament, Bruce Beasley, Brittany Cavallaro, Lidija Dimkovska, Denise Duhamel, Alexandria Hall, Rebecca Hazelton, Jose Hernandez Diaz, Kim Hyesoon, Gilad Jaffe, Michael Klein, Peter LaBerge, Nick Lantz, Eugenia Leigh, Robert Wood Lynn, Lisa Olstein, Eric Pankey, Tomaž Šalamun, Elizabeth Scanlon, Nathan Spoon, Sampson Starkweather, Peter Streckfus, Rodrigo Toscano, Stella Wong, and Felicia Zamora; fiction by Marie-Helene Bertino, Emily Neuberger, and Ed Taylor; nonfiction by Kate Colby, Krystal Languell, Kathryn Nuernberger, and J. M. Tyree; a film essay by Zack Finch; and Prageeta Sharma in conversation with Michael Dumanis.